Liszt was the only contemporary whose music Richard Wagner gratefully acknowledged as an influence upon his own. His lasting fame was an alchemy of extraordinary digital ability the greatest in the history of keyboard playing an unmatched instinct for showmanship, and one of the most progressive musical imaginations of his . Hailed by some as a visionary, reviled by others as a symbol of empty Romantic excess, Franz Liszt wrote his name across music history in a truly inimitable manner. From his youth, Liszt demonstrated a natural facility at the keyboard that placed him among the top perfog prodigies of his day. Though contemporary accounts describe his improvisational skill as dazzling, his talent as a composer emerged only in his adulthood. Still, he was at the age of eleven the youngest contributor to publisher Anton Diabelli's famous variation commissioning project, best remembered as the inspiration for Beethoven's final piano masterpiece. An oft-repeated anecdote first recounted by Liszt himself decades later, and possibly fanciful has Beethoven attending a recital given by the youngster and bestowing a kiss of benediction upon him. Though already a veteran of the stage by his teens, Liszt recognized the necessity of further musical tuition. He studied for a with Czerny and Salieri in Vienna, and later sought acceptance to the Paris Conservatory. When he was turned down there forers were not then admitted he instead studied privately with Anton Reicha. Ultimately, his Hungarian origins proved a great asset to his career, enhancing his aura of mystery and exoticism and inspiring an extensive body of works, none more famous than the Hungarian Rhapsodies (1846-1885). Liszt soon became a prominent figure in Parisian society, his romantic entanglements providing much material for gossip. Still, not even the juiciest accounts of his amorous exploits could compete with the stories about his wizardry at the keyboard. Inspired by the superhuman technique and, indeed, diabolical stage presence of the violinist Paganini, Liszt set out to translate these qualities to the piano. As his career as a touring performer, conductor, and teacher burgeoned, he began to devote an increasing amount of to composition. He wrote most of his hundreds of original piano works for his own use; accordingly, they are frequently characterized by technical demands that push performers and in Liszt's own day, the instrument itself to their limits. The "transcendence" of his Transcendental Etudes (1851), for example, is not a reference to the writings of Emerson and Thoreau, but an indication of the works' level of difficulty. Liszt was well into his thirties before he mastered the rudiments of orchestration works like the Piano Concerto No. 1 (1849) were orchestrated by talented students but made up for lost in the production of two "literary" symphonies (Faust, 1854-1857, and Dante, 1855-1856) and a series of orchestral essays (including Les preludes, 1848-1854) that marks the genesis of the tone poem as a distinct genre. After a life of near-constant sensation, Liszt settled down somewhat in his later years. In his final decade he joined the Catholic Church and devoted much of his creative effort to the production of sacred works. The complexion of his music darkened; the flash that had characterized his previous efforts gave way to a peculiar introspection, manifested in strikingly original, forward-looking efforts like Nuages gris (1881). Liszt died in Bayreuth, Germany, on July 31, 1886, having outlived Wagner, his son-in-law and greatest creative beneficiary.
[3:06] 1. Lazar Berman - II. Au lac de Wallenstadt
[2:37] 2. Evgeny Kissin - Standchen, D. 889 - Transcription: Franz Liszt: Searle 558 No. 9 "Horch! horch!..."
[3:03] 3. Pierre-Laurent Aimard - Liszt: Nuages gris, S.199
[3:04] 4. Roberto Szidon - Liszt: Hungarian Rhapsody No. 18 in F Sharp Minor, S. 244
[3:39] 5. Yundi Li - Lento assai - Allegro eneo
[3:01] 6. Daniil Trifonov - No. 5 in E Major
[1:34] 7. Lazar Berman - III. Pastorale
[2:06] 8. Daniel Barenboim - II. Allegro agitato assai
[3:57] 9. Alice Sara Ott - No. 5 Feux follets (Allegretto)
[2:45] 10. Lazar Berman - VII. Eglogue
[3:10] 11. Daniel Barenboim - IV. Allegro deciso
[2:50] 12. Lazar Berman - III. Canzonetta del Salvator Rosa
[2:12] 13. Daniel Barenboim - VI. Allegro animato
[1:59] 14. Martha Argerich - Grandioso
[2:06] 15. Martha Argerich - Pesante - Recitativo
[0:47] 16. Martha Argerich - Andante sostenuto
[2:14] 17. Martha Argerich - Allegro eneo
[1:53] 18. Martha Argerich - Piu mosso
[1:15] 19. Martha Argerich - Cantando espressivo senza slentare
[1:14] 20. Martha Argerich - Stretta quasi Presto - Presto - Prestissimo
[2:55] 21. Martha Argerich - Andante sostenuto - Allegro moderato - Lento assai
[0:54] 22. Alice Sara Ott - No. 1 Prelude (Presto)
[2:19] 23. Alice Sara Ott - No. 2 Molto vivace
[5:21] 24. Daniil Trifonov - No. 3 Paysage (Poco adagio)
[8:09] 25. Daniil Trifonov - No. 4 Mazeppa (Presto)
[5:42] 26. Daniil Trifonov - No. 6 Vision (Lento)
[4:38] 27. Daniil Trifonov - No. 7 Eroica (Allegro)
[4:59] 28. Daniil Trifonov - No. 8 Wilde Jagd (Presto furioso)
[11:08] 29. Daniil Trifonov - No. 9 Ricordanza (Andantino)
[4:26] 30. Daniil Trifonov - No. 10 Allegro agitato molto
[9:30] 31. Daniil Trifonov - No. 11 Harmonies du soir (Andantino)
[5:53] 32. Daniil Trifonov - No. 12 Chasse n (Andante con moto)
[4:14] 33. Daniil Trifonov - No. 1 Waldesrauschen
[9:08] 34. Daniil Trifonov - No. 1 in A-Flat Major "Il lamento" (A capriccio - Allegro cantabile)
[4:33] 35. Daniil Trifonov - No. 2 in F Minor "La leggierezza" (A capriccio - Quasi allegretto)
[5:20] 36. Daniil Trifonov - No. 3 in D-Flat Major "Un sospiro"
[5:13] 37. Daniil Trifonov - No. 1 in G Minor
[5:28] 38. Daniil Trifonov - No. 2 in E-Flat Major
[4:52] 39. Daniil Trifonov - No. 3 in G-Sharp Minor "La Campanella"
[4:58] 40. Daniil Trifonov - No. 6 in A Minor
[14:17] 41. Roberto Szidon - Hungarian Rhapsody No. 1 in C Sharp Minor, S. 244
[9:16] 42. Roberto Szidon - Liszt: Hungarian Rhapsody No. 2 in C Sharp Minor, S. 244
[4:18] 43. Roberto Szidon - Hungarian Rhapsody No. 3 in B Flat, S. 244
[4:41] 44. Roberto Szidon - Hungarian Rhapsody No. 4 in E Flat, S. 244
[10:19] 45. Roberto Szidon - Hungarian Rhapsody No. 5 in E Minor, S. 244 Heroide-Elegiaque
[6:28] 46. Roberto Szidon - Hungarian Rhapsody No. 6 in D Flat, S. 244
[5:41] 47. Roberto Szidon - Hungarian Rhapsody No. 7 in D Minor, S. 244
[6:00] 48. Roberto Szidon - Hungarian Rhapsody No. 8 in F Sharp Minor, S. 244
[10:44] 49. Roberto Szidon - Hungarian Rhapsody No. 9 in E Flat, S. 244 "Pesther Carneval"
[5:24] 50. Roberto Szidon - Hungarian Rhapsody No. 10 in E, S. 244 "Preludio"
[5:39] 51. Roberto Szidon - Liszt: Hungarian Rhapsody No. 11 in A Minor, S. 244
[9:38] 52. Roberto Szidon - Liszt: Hungarian Rhapsody No. 12 in C Sharp Minor, S. 244
[9:07] 53. Roberto Szidon - Liszt: Hungarian Rhapsody No. 13 in A Minor, S. 244
[11:47] 54. Roberto Szidon - Liszt: Hungarian Rhapsody No. 14 in F Minor, S. 244
[6:01] 55. Roberto Szidon - Liszt: Hungarian Rhapsody No. 15 in A Minor, S. 244 (Rakoczy March)
[5:26] 56. Roberto Szidon - Liszt: Hungarian Rhapsody No. 16 in A Minor, S. 244
[11:48] 57. Roberto Szidon - Liszt: Hungarian Rhapsody No. 19 in D Minor, S. 244
[13:24] 58. Roberto Szidon - Liszt: Rhapsodie espagnole, S. 254
[5:32] 59. Krystian Zimerman - I. Allegro maestoso
[8:55] 60. Krystian Zimerman - II. Quasi adagio - Allegretto vivace - Allegro animato
[4:03] 61. Krystian Zimerman - III. Allegro marziale animato
[7:27] 62. Krystian Zimerman - I. Adagio sostenuto assai - Allegro agitato assai
[8:20] 63. Krystian Zimerman - II. Allegro moderato - Allegro deciso
[4:24] 64. Krystian Zimerman - III. Marziale un poco meno allegro
[1:44] 65. Krystian Zimerman - IV. Allegro animato - Stretto (molto accelerando)
[15:13] 66. Krystian Zimerman - Liszt: Totentanz, S. 525
[8:44] 67. Yundi Li - Grandioso - Recitativo
[6:57] 68. Yundi Li - Andante sostenuto
[10:39] 69. Yundi Li - Allegro eneo - Andante sostenuto - Lento assai
[4:46] 70. Yundi Li - No. 3 in G-Sharp Minor "La campanella"
[4:40] 71. Yundi Li - Liszt: Liebestraum No. 3 in A-Flat Major, S. 541
[9:07] 72. Yundi Li - III. Tarantella
[6:29] 73. Yundi Li - Liszt: Concert Paraphrase on Rigoletto, S. 434 (after Verdi's Opera)
[16:51] 74. Berliner Philharmoniker - Liszt: Les Preludes, symphonic poem No. 3, S.97
[13:05] 75. Ottomar Borwitzky - No.5 In E Minor (No. 5 In Piano Version)
[6:43] 76. Lazar Berman - I. La chapelle de Guilaume Tell
[3:34] 77. Lazar Berman - IV. Au bord d'une source
[3:59] 78. Lazar Berman - V. Orage
[14:28] 79. Lazar Berman - VI. Vallee d'Obermann
[6:08] 80. Lazar Berman - VIII. Le mal du pays
[6:20] 81. Lazar Berman - IX. Les cloches de Geneve
[8:14] 82. Lazar Berman - I. Sposalizio
[4:40] 83. Lazar Berman - II. Il Penseroso
[5:18] 84. Lazar Berman - IV. Sonetto 47 del Petrarca
[6:43] 85. Lazar Berman - V. Sonetto 104 del Petrarca
[7:06] 86. Lazar Berman - VI. Sonetto 123 del Petrarca
[17:00] 87. Lazar Berman - VII. Apres une lecture du Dante (Fantasia quasi Sonata)
[5:59] 88. Lazar Berman - I. Gondoliera
[3:59] 89. Lazar Berman - II. Canzone
[9:22] 90. Lazar Berman - III. Tarantella
[10:15] 91. Lazar Berman - I. Angelus (Priere aux anges gardiens)
[7:20] 92. Lazar Berman - 2. Aux cypres de la Villa d'Este No. 1 (Threnodie)
[10:56] 93. Lazar Berman - 3. Aux cypres de la Villa d'Este No. 2 (Threnodie)
[7:45] 94. Lazar Berman - VI. Les jeux d'eau a la Villa d'Este
[7:57] 95. Lazar Berman - V. Sunt lacrimae rerum (En mode hongrois)
[8:12] 96. Lazar Berman - VI. Marche funebre (En memoire de Maximilien I)
[4:19] 97. Lazar Berman - VII. Sursum corda (Erhebet eure Herzen)
[16:44] 98. Radio-Symphonie-Orchester Berlin - Les Preludes, S. 97 - "Symphonic Poem No. 3"
[3:02] 99. Martha Argerich - Lento assai - Allegro eneo
[3:41] 100. Martha Argerich - Cantando espressivo
[4:50] 101. Martha Argerich - Quasi Adagio
[6:21] 102. Martha Argerich - Liszt: Hungarian Rhapsody No. 6 in D-Flat Major, S. 244
[15:54] 103. Shura Cherkassky - Liszt: Fantasia on Hungarian Folk Tunes, S. 123
[15:22] 104. Jorge Bolet - Liszt: Malediction, S121
[6:06] 105. John Ogdon - 1. Allegro
[5:00] 106. John Ogdon - 2. Andante sostenuto
[8:57] 107. John Ogdon - 3. Allegro
[25:10] 108. Staatskapelle Dresden - 1. Faust (Live)
[19:09] 109. Staatskapelle Dresden - 2. Gretchen (Live)
[16:04] 110. Staatskapelle Dresden - 3a. Mephistopheles (Live)
[6:52] 111. Vinson Cole - Final Chorus "Alles Vergangliche ist nur ein Gleichnis" (Live)
[21:29] 112. Staatskapelle Dresden - 1. Inferno
[23:02] 113. Staatskapelle Dresden - 2. Purgatorio
[7:57] 114. Staatskapelle Dresden - - Magnificat
[12:28] 115. London Philharmonic Orchestra - Liszt: Prometheus, symphonic poem No. 5, S.99
[16:51] 116. London Philharmonic Orchestra - Liszt: Les preludes, S. 97
[20:13] 117. London Philharmonic Orchestra - Liszt: Festklange, symphonic poem No. 7, S.101
[15:24] 118. Berliner Philharmoniker - Liszt: Mazeppa, Symphonic Poem No. 6, S. 100
[20:34] 119. Orchestre de Paris - Liszt: Tasso, Lamento e trionfo, symphonic poem No. 2, S.96 (after Byron)
[10:44] 120. Orchestre de Paris - 2. The Dance in the Village Inn (1st Mephisto Waltz)
[14:49] 121. Orchestre de Paris - Liszt: Von der Wiege bis zum Grabe, symphonic poem No. 13, S.107
[27:13] 122. London Philharmonic Orchestra - Liszt: Heroide funebre, symphonic poem No. 8, S.102
[23:07] 123. London Philharmonic Orchestra - Liszt: Hungaria, symphonic poem No. 9 S. 103
[13:59] 124. London Philharmonic Orchestra - Liszt: Hamlet, Symphonic Poem No. 10, S.104
[14:59] 125. London Philharmonic Orchestra - Liszt: Hunnenschlacht, symphonic poem No. 11, S.105
[30:35] 126. London Philharmonic Orchestra - Liszt: Ce qu'on entend sur la montagne, symphonic poem No. 1, S.95 (after Victor Hugo)
[11:00] 127. London Philharmonic Orchestra - Liszt: Orpheus, symphonic poem No. 4, S.98
[26:54] 128. London Philharmonic Orchestra - Liszt: Die Ideale, symphonic poem No. 12, S. 106 (after Schiller)
[10:45] 129. Budapest Festival Orchestra - Hungarian Rhapsody No. 1 in F minor, S.359 No. 1 (Corresponds with piano versionNo. 14 in F minor) - Orch. Liszt/Doppler
[10:29] 130. Budapest Festival Orchestra - Hungarian Rhapsody No. 2 in D minor, S.359 No. 2 (Corresponds with piano versionNo. 2 in C sharp minor) - Orch. Doppler
[7:43] 131. Budapest Festival Orchestra - Hungarian Rhapsody No. 3 in D, S.359 No. 3 (Corresponds with piano versionNo. 6 in D flat) - Orch. Liszt/Doppler
[10:07] 132. Budapest Festival Orchestra - Hungarian Rhapsody No. 4 in D minor, S.359 No. 4 (Corresponds piano versionNo. 12 in C sharp minor) - Orch. Liszt
[9:40] 133. Budapest Festival Orchestra - Hungarian Rhapsody No. 5 in E minor, S.359 No. 5 (Corresponds with piano versionNo. 5 in E minor) - Orch. Liszt
[11:01] 134. Budapest Festival Orchestra - Hungarian Rhapsody No. 6 in D, S.359 No. 6 (Corresponds with piano versionNo. 9 in E flat) - Orch. Liszt
[5:18] 135. Daniel Barenboim - I. Adagio sostenuto assai
[5:01] 136. Daniel Barenboim - III. Allegro moderato
[4:00] 137. Daniel Barenboim - V. Marziale un poco meno Allegro
[5:38] 138. Daniel Barenboim - I. Allegro maestoso
[4:27] 139. Daniel Barenboim - II. Quasi Adagio
[4:32] 140. Daniel Barenboim - III. Allegretto Vivace - Allegro Animato
[4:49] 141. Daniel Barenboim - IV. Allegro marziale animato
[4:37] 142. Daniel Barenboim - No. 3 in D-Flat Major (Lento, placido)
[3:59] 143. Daniel Barenboim - Liszt: Valse oubliee No. 1 in F sharp, S.215
[9:58] 144. Evgeny Kissin - Liszt: Hungarian Rhapsody No. 12 in C sharp minor, S.244
[1:25] 145. Daniel Barenboim - No. 1 in E Major (Andante con moto)
[3:15] 146. Daniel Barenboim - No. 2 in E Major (Un Poco Piu Mosso)
[4:15] 147. Daniel Barenboim - No. 3 in D-Flat Major (Lento, placido)
[3:15] 148. Daniel Barenboim - No. 4 in D-Flat Major (Quasi Adagio)
[2:30] 149. Daniel Barenboim - No. 5 in E Major (Andantino)
[2:47] 150. Daniel Barenboim - No. 6 in E Major (Allegretto, sempre cantabile)
[7:35] 151. Daniel Barenboim - Notturno I: Hohe Liebe
[4:13] 152. Daniel Barenboim - Notturno II: Seliger Tod
[4:39] 153. Daniel Barenboim - Notturno III: O lieb, so lang du lieben kannst
[5:31] 154. Daniel Barenboim - Sonetto No. 47: "Benedetto sia 'l giorno" Preludio con moto - Sempre mosso, con intimo sennto
[6:43] 155. Daniel Barenboim - Sonetto No. 104: "Pace non trovo" Agitato assai - Adagio
[7:12] 156. Daniel Barenboim - Sonetto No. 123: "I' vidi in terra angelici costumi" Lento placido - Sempre lento - Piu lento
[7:32] 157. Daniel Barenboim - Preludio. Allegro - Andante - Presto
[5:43] 158. Vladimir Horowitz - No. 4 Standchen
[6:25] 159. Vladimir Horowitz - Valse Caprice No. 7 In A Major Allegro con spirito
[7:09] 160. Vladimir Horowitz - No.6 In A Minor
[17:15] 161. Berliner Philharmoniker - Liszt: Les Preludes, S. 97 - "Symphonic Poem No. 3"
[13:44] 162. Berliner Philharmoniker - Liszt: Hungarian Rhapsody No. 4 in D Minor, S. 359 No. 4 (Corresponds Piano Version No. 12 in C Sharp Minor)
[11:21] 163. Berliner Philharmoniker - Liszt: Hungarian Rhapsody No. 2 in C Sharp Minor, S. 244 (Orchestral Version: Franz Doppler)
[5:10] 164. Martha Argerich - I. Allegro maestoso
[8:27] 165. Martha Argerich - II. Quasi adagio - Allegretto vivace - Allegro animato
[4:02] 166. Martha Argerich - III. Allegro marziale animato
[11:12] 167. Vladimir Ashkenazy - Liszt: Mephisto Waltz No. 1, S.514
[3:38] 168. Sviatoslav Richter - No.5 Feux follets (Allegretto)
[9:14] 169. Sviatoslav Richter - No.11 Harmonies du soir (Andantino)
[8:14] 170. Claudio Arrau - Moderato -
[2:19] 171. Claudio Arrau - Andante -
[8:41] 172. Claudio Arrau - Piu sostenuto quasi preludio - Andante semplice
[3:57] 173. Claudio Arrau - Valse oubliee No. 1 in F sharp, S.215
[3:13] 174. Krystian Zimerman - Liszt: Nuages gris, S.199
[3:59] 175. Wilhelm Kempff - 2. Il Penseroso
[2:52] 176. Wilhelm Kempff - 3. Canzonetta del Salvator Rosa (Andante marziale)
[5:54] 177. Wilhelm Kempff - Sonetto del Petrarca no. 47
[5:25] 178. Wilhelm Kempff - 1. Gondoliera (Quasi Allegretto)
[10:08] 179. Wilhelm Kempff - St. Francis of Assisi preaching to the birds, S. 175 No. 1 (Allegretto)
[9:46] 180. Krystian Zimerman - Liszt: La Notte, S.602
[9:54] 181. Krystian Zimerman - Liszt: La Lugubre Gondola, S.200 no.2
[12:19] 182. Krystian Zimerman - Liszt: Funerailles
[5:16] 183. Alice Sara Ott - No. 3 Paysage (Poco adagio)
[4:30] 184. Alice Sara Ott - No. 10 Allegro agitato molto
[10:22] 185. Jorge Bolet - No. 1 in A flat "Il lamento" (A capriccio - Allegro cantabile)
[4:57] 186. Jorge Bolet - No. 2 in F minor "La leggierezza" (A capriccio - Quasi allegretto)
[8:53] 187. Wilhelm Kempff - St. Francis of Paola walking on the water, S. 175 No.2 (Andante)
[4:22] 188. Nikita Magaloff - 1. Tremolo
[4:10] 189. Nikita Magaloff - 2. Octaves
[4:43] 190. Nikita Magaloff - 3. La Campanella
[3:56] 191. Jorge Bolet - Liszt: Die Forelle, S. 564 (after Schubert, D. 550)
[4:41] 192. Jorge Bolet - Liszt: Lebe Wohl!, S.563, No. 1 (after Schubert, D.578)
[1:55] 193. Jorge Bolet - Liszt: Das Wandern, S.565 No. 1 (after Schubert, D.795)
[5:11] 194. Jorge Bolet - Liszt: Der Lindenbaum, S.561 No. 7 (after Schubert, D.911)
[3:27] 195. Jorge Bolet - Liszt: Standchen ("Horch, horch! die Lerch"), S.558 No. 9 (after Schubert, D.889)
[2:57] 196. Jorge Bolet - Liszt: Die Post, S.561 No. 4 (after Schubert, D.911)
[3:42] 197. Jorge Bolet - Liszt: Aufenthalt, S.560 (after Schubert, D.957)
[5:38] 198. Jorge Bolet - Liszt: Lob der Tranen, S.557 (after Schubert, D.711)
[5:06] 199. Jorge Bolet - Liszt: Erlkonig, S. 558 (after Schubert, D. 328)
[7:21] 200. Claudio Arrau - Rigoletto - Concert Paraphrase
[8:40] 201. Claudio Arrau - Ernani: Concert Paraphrase, S.432
[8:09] 202. Claudio Arrau - Il Trovatore: Miserere, Concert Paraphrase S.433
[5:59] 203. Claudio Arrau - I Lombardi: Salve Maria: Concert Paraphrase, S.431
[7:39] 204. Claudio Arrau - Don Carlo: Coro di festa e Marcia funebre: Concert Paraphrase, S.435
[5:58] 205. Daniel Barenboim - Liszt, Wagner: Spinning Song From Der fliegende Hollander, S.440
[7:37] 206. Daniel Barenboim - Liszt, Wagner: Isoldes Liebestod, S.447
[5:47] 207. Daniel Barenboim - Liszt, Wagner: Ballade From The Flying Dutchman, S.441
[9:48] 208. Daniel Barenboim - Liszt, Wagner: Fantasy On Themes From Rienzi, S.439
[9:28] 209. Thomas Trotter - 3. Fuga
[8:02] 210. Thomas Trotter - Liszt: Ave Maria
[3:53] 211. Evgeny Kissin - Auf dem Wasser zu singen, D.774 - Transcription: Franz Liszt, Searle 558 No. 2
[4:02] 212. Vladimir Ashkenazy - Liszt: Mephisto Waltz No. 1, S.514 (Edit)
[3:53] 213. Evgeny Kissin - Gretchen am Spinnrade, Op.2, D.118 - Transcription: Franz Liszt: Searle 558 No.8
[4:44] 214. Claudio Arrau - No.1 Waldesrauschen
[3:13] 215. Lilya Zilberstein - Liszt: Impromptu ("Nocturne"), 1872, S.191
[5:37] 216. Misha Dichter - No.15 in A minor
[5:35] 217. Dietrich Fischer-Dieskau - Liszt: Die drei Zigeuner S.320
[3:18] 218. Dietrich Fischer-Dieskau - Liszt: Die stille Wasserrose S.321
[3:17] 219. Dietrich Fischer-Dieskau - Liszt: Wieder mocht' ich dir begegnen (Cornelius)
[2:10] 220. Dietrich Fischer-Dieskau - Liszt: Blume und Duft (Hebbel)
[4:11] 221. Dietrich Fischer-Dieskau - Liszt: "J'ai perdu ma force et ma vie" S.327 Tristesse
[2:59] 222. Dietrich Fischer-Dieskau - Liszt: "Ihr Glocken von Marling" S.328
[4:12] 223. Dietrich Fischer-Dieskau - Liszt: Des Tages laute Stimmen schwn S.337
[5:01] 224. Dietrich Fischer-Dieskau - Liszt: "Oh, quand je dors" S 282
[1:49] 225. Dietrich Fischer-Dieskau - Liszt: Comment, disaient-ils S 276
[5:19] 226. Dietrich Fischer-Dieskau - Liszt: Der trau Monch, S. 348
[1:57] 227. Hildegard Behrens - O suesser Zauber im Jugendmut
[3:31] 228. Hildegard Behrens - Liszt: Es war ein Konig in Thule, S. 278
[2:00] 229. Hildegard Behrens - Liszt: "Es muss ein Wunderbares sein" S.314
[4:32] 230. Hildegard Behrens - Liszt: O lieb, so lang du lieben kannst, S.298
[6:40] 231. Brigitte Fassbaender - Liszt: Mignons Lied - Kennst du das Land, S.275
[2:04] 232. Brigitte Fassbaender - Liszt: Und wir dachten der Toten, S.338
[3:07] 233. Brigitte Fassbaender - Liszt: Lasst mich ruhen, S.317
[4:58] 234. Brigitte Fassbaender - Liszt: Oh, quand je dors, S.282
[3:05] 235. Brigitte Fassbaender - Liszt: Enfant, si j'etais roi, S.283
[10:14] 236. Siegfried Heinrich - Introduction
[0:44] 237. Istvan Berczelly - Willkommen mein Tochterlein
[3:36] 238. Siegfried Heinrich - Frohliche Spiele sannen wir aus
[3:27] 239. Klaus Lapins - Aus dem Nebel der Taler erschalle hervor
[1:34] 240. Siegfried Heinrich - Ins heil'ge land, ins Palmenland
[5:49] 241. Doreen Millmann - Herein! Herein! Hast Du die Botschaft schon gehort
[1:58] 242. Maria Szechowska - O Tag der Trauer, Tag der Klage
[9:22] 243. Doreen Millmann - Entschieden ist Dein Los - Du willst wie eine Bettlerin - Noch diese Nacht - Hier ist des Mitleids Stimme tot
[6:24] 244. Maria Szechowska - Hier wohnt sie unterm Huttendach
[4:14] 245. Siegfried Heinrich - Der Schmerz ist aus, die Bande weichen
[6:33] 246. Choir Of St. John's College, Cambridge - Kyrie
[4:38] 247. Choir Of St. John's College, Cambridge - Gloria
[6:46] 248. Choir Of St. John's College, Cambridge - Credo
[2:55] 249. Choir Of St. John's College, Cambridge - Sanctus
[5:05] 250. Choir Of St. John's College, Cambridge - Benedictus
[6:06] 251. Choir Of St. John's College, Cambridge - Agnus Dei
[5:01] 252. Magda Tiszay - 1. Kyrie
[4:55] 253. Sandor Matay - 3. Graduale (Psalm 116)
[5:34] 254. Sandor Matay - 4. Credo
[2:58] 255. Iren Szecsody - 6. Sanctus
[6:43] 256. Jozsef Simandy - 7. Benedictus
[10:27] 257. Daniel Barenboim - Liszt, Wagner: Elsa's Dream And Lohengrin's Rebuke, S. 446, No. 2
[10:35] 258. Daniel Barenboim - Liszt, Wagner: Entry Of The Guests On The Wartburg, S. 445 No. 1
[10:56] 259. Claudio Arrau - Riscences de Simone Boccanegra, S.438 after Verdi's opera
[11:35] 260. Claudio Arrau - Aida: Danza sacre e Duetto finale: Concert Paraphrase, S.436
[18:56] 261. Jorge Bolet - Riscences de Don Juan, S. 418
[16:57] 262. Thomas Trotter - Liszt: Weinen, Klagen, Sorgen, Zagen - Variations on Bach's Cantata, S.179
[11:31] 263. Thomas Trotter - Liszt: Evocation to the Sixtine Chapel, S.658
[12:48] 264. Thomas Trotter - Liszt: Prelude and Fugue on the Name B-A-C-H, S.260
[7:47] 265. Andras Farago - 1. Kyrie
[14:02] 266. Maria Werner - 2. Gloria
[18:06] 267. Alfonz Bartha - 3. Credo
[5:13] 268. Netherlands Chamber Choir - Andante Maestoso "Vexilla Regis prodeunt"
[1:45] 269. Netherlands Chamber Choir - Station I: Jesus wird zum Tode verdammt
[2:48] 270. Netherlands Chamber Choir - Station II: Jesus tragt sein Kreuz
[1:46] 271. Netherlands Chamber Choir - Station IX: Jesus fallt zum dritten Mal
[12:19] 272. Krystian Zimerman - Lento assai - Allegro eneo
[7:21] 273. Krystian Zimerman - Andante sostenuto -
[10:59] 274. Krystian Zimerman - Allegro eneo
[4:16] 275. Vladimir Horowitz - No. 3 in D-Flat Major (lento, placido)
[1:55] 276. Lazar Berman - 6. Allegro animato - Stretto
[2:15] 277. Gidon Kremer - Andantino
[3:25] 278. Vladimir Horowitz - Impromptu "Nocturne", S. 191
[1:09] 279. Gianluca Cascioli - Liszt: Toccata S. 197 a
[1:51] 280. Gidon Kremer - Andante maestoso
[3:12] 281. Gidon Kremer - Lento assai - Animato, quasi Allegro
[1:37] 282. Gidon Kremer - Cadenza
[1:39] 283. Gidon Kremer - Variation I (un poco piu animato)
[1:25] 284. Gidon Kremer - Variation II
[3:14] 285. Gidon Kremer - Variation III. Allegretto pastorale
[1:47] 286. Daniel Barenboim - Andante maestoso
[1:39] 287. Gidon Kremer - Variation IV. Tarantella. Presto
[1:40] 288. Gidon Kremer - Finale. Animato marziale
[4:20] 289. Martha Argerich - Quasi Adagio
[2:08] 290. Lazar Berman - 2. Allegro agitato assai
[2:16] 291. Kathleen Battle - Liszt: Comment, disaient-ils S 276
[2:19] 292. Kathleen Battle - Liszt: S'il est un charmant gazon S 284
[4:24] 293. Martha Argerich - 2a. Quasi adagio
[2:34] 294. Emil Gilels - 5. La chasse
[2:48] 295. Kathleen Battle - Liszt: Enfant, si j'etais roi S.283
[2:49] 296. Daniel Barenboim - 2. Au lac de Wallenstadt
[3:02] 297. Daniel Barenboim - Andante - Allegro - Presto



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