Bernard Johann Herman Haitink built a reputation as one of the finest conductors of the 20th Century with a wide repertory and meticulous yet warm and exciting performances. He studied violin at Amsterdam Conservatory, and began his musical career as a violinist in the Netherlands Radio Philharmonic. He took conducting studies with Felix Hupka when he was at conservatory and then two Netherlands Radio Union conducting courses with Ferdinand Leitner. He was named second conductor with the Radio Union, leading four different orchestras or ensembles. He was promoted to principal conductor of the Netherlands Radio Philharmonic itself, at the age of 27. After his good showing when called as a last-minute replacement at the Amsterdam Concertgebouw in Cherubini's Requiem in 1956, the Concertgebouw Orchestra frequently engaged him as a guest conductor. After Eduard van Beinum died, two conductors were named principal conductor of the Concertgebouw: Haitink (at thirty-two the youngest principal conductor ever) and the veteran Eugen Jochum. Two years later, Jochum left, leaving Haitink in sole charge. He became the principal conductor and then artistic director of the LPO, retaining that position until 1979. He recorded frequently with both orchestras, taking care not to favor one over the other out of concern for the musicians' feelings. An example of this occurred when he was planning a recording of Strauss's Ein Heldenleben, which has one of the most prominent of solo violin parts for a concertmaster. The LPO's concertmaster overheard these plans, and immediately started practicing the part so he'd be ready for the opportunity. Then the violinist learned to his disappointment that the sessions were planned for the Concertgebouw. When Haitink discovered that he had inadvertently hurt his violinist's feelings, he immediately scheduled the LPO to record Rimsky-Korsakov's Shcheherazade, the work with the other most prominent violin solo part. He also frequently conducted opera productions in England as music director of the Glyndebourne Festival (1977-1988). He became music director of the Royal Opera in Covent Garden (London) in 1987, and has seen the company through the difficult period when its house was closed for radical renovations through the end of the 1990s. In 1988 his association with the Concertgebouw ended when he resigned in protest over certain governmental economy measures affecting, in his view, the quality of the orchestra. He has increased his guest appearances in the years since, appearing with the Berlin Philharmonic, Vienna Philharmonic, London Philharmonic, London Symphony Orchestra, and the Boston Symphony Orchestra (of which he is the Principal Guest Conductor). Reconciliation with the Concertgebouw occurred when, several years after his departure, the orchestra named him its Conductor Laureate, the first the Concertgebouw has bestowed the title, in recognition of his great contribution to their history over a thirty-year period. In 1999 they invited him to lead them in a set of Concertgebouw concerts called the "Carte Blanche" Series. In it he led the Royal Opera House Orchestra, the Vienna Philharmonic, the Dresden Staatkapelle, Berlin Philharmonic, European Union Youth Orchestra, and Netherlands Radio Orchestra as well as the Concertgebouw Orchestra. He has recorded a large quantity of records on the Philips, Decca (London) and EMI labels, with a wide range of repertory. These have included complete symphonies of Vaughan Williams, Mahler, Bruckner, Beethoven, Shostakovich, and Brahms, and many other works. He was won numerous awards, an honorary British knighthood, and the House Order of Orange-Nassau, given to him by the Queen of the Netherlands.

001. Beethoven: Symphony No.5 in C minor, Op.67-1. Allegro con brio

002. Beethoven: Symphony No.5 in C minor, Op.67-2. Andante con moto

003. Beethoven: Symphony No.5 in C minor, Op.67-3. Allegro

004. Beethoven: Symphony No.5 in C minor, Op.67-4. Allegro

005. Beethoven: Symphony No.7 in A, Op.92-1. Poco sostenuto-Vivace

006. Beethoven: Symphony No.7 in A, Op.92-2. Allegretto

007. Beethoven: Symphony No.7 in A, Op.92-3. Presto-Assai meno presto

008. Beethoven: Symphony No.7 in A, Op.92-4. Allegro con brio

009. Brahms: Symphony No.3 in F Major, Op.90-1. Allegro con brio-Un poco sostenuto-Tempo I

010. Brahms: Symphony No.3 in F Major, Op.90-2. Andante

011. Brahms: Symphony No.3 in F Major, Op.90-3. Poco allegretto

012. Brahms: Symphony No.3 in F Major, Op.90-4. Allegro

013. Beethoven: Piano Concerto No.5 in E flat major Op.73 -"Emperor"-1. Allegro

014. Beethoven: Piano Concerto No.5 in E flat major Op.73 -"Emperor"-2. Adagio un poco mosso

015. Beethoven: Piano Concerto No.5 in E flat major Op.73 -"Emperor"-3. Rondo (Allegro)

016. Beethoven: Symphony No.3 in E flat, Op.55 -"Eroica"-1. Allegro con brio

017. Beethoven: Symphony No.3 in E flat, Op.55 -"Eroica"-2. Marcia funebre (Adagio assai)

018. Beethoven: Symphony No.3 in E flat, Op.55 -"Eroica"-3. Scherzo (Allegro vivace)

019. Beethoven: Symphony No.3 in E flat, Op.55 -"Eroica"-4. Finale (Allegro molto)

020. Dvořák: Symphony No.7 in D minor, Op.70-1. Allegro maestoso

021. Dvořák: Symphony No.7 in D minor, Op.70-2. Poco adagio

022. Dvořák: Symphony No.7 in D minor, Op.70-3. Scherzo (Vivace)

023. Dvořák: Symphony No.7 in D minor, Op.70-4. Finale (Allegro)

024. Smetana: Má Vlast (My Country)-2. Vltava (The Moldau)

025. Schubert: Symphony No.8 in B minor, D.759-"Unfinished"-1. Allegro moderato

026. Schubert: Symphony No.8 in B minor, D.759-"Unfinished"-2. Andante con moto

027. R. Strauss: Also sprach Zarathustra, Op. 30, TrV 176-Prelude (Sonnenaufgang)

028. Mahler: Symphony No. 1 in D Major-1. Langsam. Schleppend

029. Mahler: Symphony No. 1 in D Major-2. Kräftig bewegt

030. Mahler: Symphony No. 1 in D Major-3. Feierlich und gemessen, ohne zu schleppen

031. Mahler: Symphony No. 1 in D Major-4. Stürmisch bewegt

032. Wagner: Tristan und Isolde, WWV 90-Concert version-Prelude and Liebestod

033. Bruckner: Symphony No.3 in D minor-1. Gemäßigt, mehr bewegt, misterioso

034. Bruckner: Symphony No.3 in D minor-2. Adagio, bewegt, quasi andante

035. Bruckner: Symphony No.3 in D minor-3. Scherzo. Ziemlich schnell

036. Bruckner: Symphony No.3 in D minor-4. Finale. Allegro

037. Bruckner: Symphony No.7 in E Major, WAB 107-1. Allegro moderato

038. Bruckner: Symphony No.7 in E Major, WAB 107-2. Adagio (Sehr feierlich und sehr langsam)

039. Bruckner: Symphony No.7 in E Major, WAB 107-3. Scherzo (Sehr schnell)

040. Bruckner: Symphony No.7 in E Major, WAB 107-4. Finale (Bewegt, doch nicht schnell)

041. R. Strauss: Till Eulenspiegel's Merry Pranks (Till Eulenspiegels lus Streiche), Op. 28

042. Mahler: Symphony No.5 In C Sharp Minor / Part 1-1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt-Plötzlich schneller. Leidenschaftlich. Wild-Tempo I)

043. Mahler: Symphony No.5 In C Sharp Minor / Part 1-2. Stürmisch bewegt. Mit größter Vehemenz-Bedeutend langsamer-Tempo I subito

044. Mahler: Symphony No.5 In C Sharp Minor / Part 2-3. Scherzo (Kräftig, nicht zu schnell)

045. Mahler: Symphony No.5 In C Sharp Minor / Part 3-5. Rondo-Finale (Allegro)

046. Debussy: La Mer, L.109-1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer)

047. Debussy: La Mer, L.109-2. Play Of The Waves (Jeux de vagues)

048. Debussy: La Mer, L.109-3. Dialogue Of The Wind And The Sea (Dialogue du vent et de la mer)

049. Debussy: Prélude à l'après-midi d'un faune, L. 86-Prélude à l'après-midi d'un faune

050. Debussy: Jeux (Poème dansé), L.126

051. Debussy: Nocturnes, L.91-1. Nuages

052. Debussy: Nocturnes, L.91-2. Fêtes

053. Debussy: Nocturnes, L.91-3. Sirènes

054. Ravel: Ma mère l'oye, M.60-Prélude

055. Ravel: Ma mère l'oye, M.60-Danse du rouet et scène-Interlude

056. Ravel: Ma mère l'oye, M.60-Pavane de la Belle au bois dormant

057. Ravel: Ma mère l'oye, M.60-Interlude

058. Ravel: Ma mère l'oye, M.60-Les entretiens de la Belle et de la Bête

059. Ravel: Ma mère l'oye, M.60-Interlude

060. Ravel: Ma mère l'oye, M.60-Petit Poucet

061. Ravel: Ma mère l'oye, M.60-Interlude

062. Ravel: Ma mère l'oye, M.60-Laideronnette, Impératrice des Pagodes

063. Ravel: Ma mère l'oye, M.60-Interlude

064. Ravel: Ma mère l'oye, M.60-Apothéose: Le jardin féerique

065. Stravinsky: Scherzo à la Russe

066. Stravinsky: Le Sacre du Printemps-Part 1: The Adoration of the Earth-1. Introduction

067. Stravinsky: Le Sacre du Printemps-Part 1: The Adoration of the Earth-2. The Harbingers of Spring, Dance of the Adolescents

068. Stravinsky: Le Sacre du Printemps-Part 1: The Adoration of the Earth-3. Mock Abduction

069. Stravinsky: Le Sacre du Printemps-Part 1: The Adoration of the Earth-4. Spring Rounds

070. Stravinsky: Le Sacre du Printemps-Part 1: The Adoration of the Earth-5. Games of the Rival Tribes

071. Stravinsky: Le Sacre du Printemps-Part 1: The Adoration of the Earth-6. Procession of the Sage

072. Stravinsky: Le Sacre du Printemps-Part 1: The Adoration of the Earth-7. Adoration of the Earth (The Sage), Dance of the Earth

073. Stravinsky: Le Sacre du Printemps-Part 2: The Sacrifice-1. Introduction

074. Stravinsky: Le Sacre du Printemps-Part 2: The Sacrifice-2. Mystical Circle of the Adolescents

075. Stravinsky: Le Sacre du Printemps-Part 2: The Sacrifice-3. Glorification of the Chosen One

076. Stravinsky: Le Sacre du Printemps-Part 2: The Sacrifice-4. Evocation of the Ancestors

077. Stravinsky: Le Sacre du Printemps-Part 2: The Sacrifice-5. Ritual of the Ancestors

078. Stravinsky: Le Sacre du Printemps-Part 2: The Sacrifice-6. Sacrificial Dance (The Chosen One)

079. Bartók: Concerto for Orchestra, Sz. 116-1. Introduzione (Andante non troppo-Allegro vivace

080. Bartók: Concerto for Orchestra, Sz. 116-2. Giuoco della coppie (Allegretto scherzando)

081. Bartók: Concerto for Orchestra, Sz. 116-3. Elegia (Andante, non troppo)

082. Bartók: Concerto for Orchestra, Sz. 116-4. Intermezzo interrotto (Allegretto)

083. Bartók: Concerto for Orchestra, Sz. 116-5. Finale (Pesante-Presto)

084. Tchaikovsky: Overture The Storm, Op.76

085. Tchaikovsky: Symphony No.4 In F Minor, Op.36, TH.27-1. Andante sostenuto-Moderato con anima-Moderato assai, quasi Andante-Allegro vivo

086. Tchaikovsky: Symphony No.4 In F Minor, Op.36, TH.27-2. Andantino in modo di canzone

087. Tchaikovsky: Symphony No.4 In F Minor, Op.36, TH.27-3. Scherzo. Pizzicato ostinato-Allegro

088. Tchaikovsky: Symphony No.4 In F Minor, Op.36, TH.27-4. Finale (Allegro con fuoco)

089. Tchaikovsky: Romeo and Juliet, Fantasy Overture

090. Shostakovich: Symphony No. 10 in E Minor, Op. 93-I. Moderato

091. Shostakovich: Symphony No. 10 in E Minor, Op. 93-II. Allegro

092. Shostakovich: Symphony No. 10 in E Minor, Op. 93-III. Allegretto

093. Shostakovich: Symphony No. 10 in E Minor, Op. 93-IV. Andante-Allegro

094. Shostakovich: Symphony No. 5 in D Minor, Op. 47-I. Moderato

095. Shostakovich: Symphony No. 5 in D Minor, Op. 47-II. Allegretto

096. Shostakovich: Symphony No. 5 in D Minor, Op. 47-III. Largo

097. Shostakovich: Symphony No. 5 in D Minor, Op. 47-IV. Allegro non troppo

098. Shostakovich: Symphony No. 7 in C Major, Op. 60 "Leningrad"-I. Allegretto

099. Shostakovich: Symphony No. 7 in C Major, Op. 60 "Leningrad"-II. Moderato poco allegretto

100. Shostakovich: Symphony No. 7 in C Major, Op. 60 "Leningrad"-III. Adagio

101. Shostakovich: Symphony No. 7 in C Major, Op. 60 "Leningrad"-IV. Allegro non troppo



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